Everyone had high expectations of season 3, expecting the same level of emotion, the same thrills, and the same cinema. But it failed to deliver, feels Vihaan Kulkarni.
Despite being predictable, Sudhir Mishra's Tanaav Season 2 show is a good watch and doesn't lose its steam, says Namrata Thakker.
It's too bad Viijay 69 does not let the viewer feel Anupam Kher's despair or his triumph. The most forgettable 'zero to hero' films at least managed that much, notes Deepa Gahlot.
What majorly works is Uorfi's complete lack of inhibitions and ease in front of the camera, analyses Mayur Sanap.
Suzhal: The Vortex 2 is a compelling watch with a tightly woven narrative, elevated by powerful performances, notes Divya Nair.
After a character and film like this, at least for a while, everything else Vicky Kaushal does will look bland, asserts Deepa Gahlot.
Khoj: Parchaiyon Ke Uss Paar is too pretentious a title for the far-fetched, lightweight thriller that follows, feels Deepa Gahlot.
Ram Madhvani's series is all over the place and also boring to watch, complains Deepa Gahlot.
I would tell all my friends to go and watch Mufasa: The Lion King, recommends Krishiv Dedhia, 7.
A gleefully hammy Madhuri and Vidya's volley of death stares and evil laughs engage in a ruthless glamorous tug of war in Bhool Bhulaiyaa 3, notes Sukanya Verma.
Despatch just goes on and on, sighs Mayur Sanap.
If Naam was made today, there wouldn't even have been enough audiences to boo it out of the halls, observes Deepa Gahlot.
For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap.
If only the movie could hold its own the way Raveena Tandon does in a cream and gold Manish Malhotra lehenga, Ghudchadhi would be half the entertainer it set out to be, feels Sukanya Verma.
Chhaava deserves 2 stars for the historically half-baked film that it is, but 4 stars just for its attempt on making a film on Sambhaji, observes Prasanna D Zore.
Vikramaditya Motwane and Satyanshu Singh have created an excellent but grim series, applauds Deepa Gahlot.
In this multi-part series, Joginder Tuteja brings us the theatrical releases of 2025.
Writer and director Anusha Rizvi returns to cinema after 15 years with warmth, wit and many a laughs.
Eternal, the parent company of Zomato and Blinkit, on Wednesday reported a 72.8 per cent jump in its net profit for the third quarter of financial year 2026 (Q3FY26), on the back of a robust momentum in its quick commerce business. The firm's net profit rose to Rs 102 crore in Q3FY26 against Rs 59 crore it reported during the same period a year ago.
Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the first film in a much bigger canvas, discovers Arjun Menon.
Bromance is a fun film that doesn't take itself too seriously, observes Arjun Menon.
'Here are 25 stories special to me for one reason too many,' says Sukanya Verma who scored 25 years writing about the movies last week.
Varun Tej's committed performance somehow rescues Matka from being a pointless venture with stylish flourishes and interesting ideas, observes Arjun Menon.
At 160 minutes, Wicked is too long, and knowing the undercurrents running through the plot, the candyfloss cheeriness gets too much after a point. Still, it is a worthwhile page-to-stage-to screen journey, observes Deepa Gahlot.
For all its flaws, Agni is a clutter-breaking film, and its portrayal of the lives of firefighters is a case of better late than never, observes Deepa Gahlot.
Tovino Thomas' big budget action entertainer is a middling, tonally inconsistent watch that keeps you hooked, observes Arjun Menon.
The Miranda Brothers is short on humour, romance and real drama, observes Deepa Gahlot.
L2: Empuraan is an ambitious sequel that is bigger, bolder and timid in equal measure, observes Arjun Menon.
It was a forgettable weekend for Bollywood as the two new releases -- 120 Bahadur and Mastiii 4 -- failed to get audiences.
Mithya The Darker Chapter has a constant been-there-seen-that feeling. Everything is dialled to 11, be it the emotional rundown of the characters or dramatic moments that form their dynamic, notes Mayur Sanap.
Mrs succeeds in riling you up for all the right reasons. And without resorting to high-pitched drama, applauds Sukanya Verma.
Love, Sitara doesn't flesh out the people or their problems enough to give us a glimpse into their minds, observes Sukanya Verma.
Allu Arjun is fantabulous as the doting husband, emotion-loving son and risk-taking entrepreneur. Pushpa escalates his brand from fire to wildfire, applauds Divya Nair.
Fiercely original filmmaking from a director whose even just good enough attempt fares much better than your average blockbusters, observes Mayur Sanap.
The Mammootty-starrer is a passable procedural, let down by half-baked ideas that don't necessarily come together, observes Arjun Menon.
Despite its minor flaws, lack of logic, and lecture-style moral narrative, Vettaiyan should be enjoyed in a theatre amid Rajini fans and their wolf whistles, endorses Divya Nair.
There is an utter pretentiousness to this world and the supposed hip lives of its characters, which makes it plain awkward to watch, complains Mayur Sanap.
Dabba Cartel's reluctant black comedy in the body of a crime thriller starts out interestingly enough to accomplish its Narcos: Thane aspirations, notes Sukanya Verma.
Divya Nair recommends that non-Vijay fans save their money and wait for GOAT to drop on Netflix instead. At least you can fast forward and get to the climax faster.
120 Bahadur is not just a war movie. It is a tribute, a history lesson, and an emotional journey into the heart of military courage, states Lt Gen Devendra Pratap Pandey, Retd.
